Culture shock has never been so fun! 文化衝擊美那麼好玩過!

Solo Taiwan is a theatre company that loves to get lost in translation. Where ever you're from, where ever you're going, it's going to add to the conversation. We hope you'll spend part of your journey with us!
Showing posts with label Katie. Show all posts
Showing posts with label Katie. Show all posts

Friday, August 23, 2013

《在台灣站起》

《Why國人(guórén)》的創作者就是Solo Taiwan說了台灣劇團的團長卜凱蒂。去年暑假時她接受大愛電視台節目《在台灣站起》的訪問,這是四天訪問的結果。仔細看看有沒有出現《Why國人(guórén)》的畫面 (也可以找《Why國人(guórén)》中電話上常出現的Mr. Pu)!

This is a weekly documentary that DaAi TV in Taiwan does about local foreigners doing good in Taiwan.  They did a show about Katie last year that included footage from 《Why國人(guórén)》 as well as a guest appearance by the Mr. Pu that Katie talks to in her show.  Take a look if you haven't seen it ~ sorry, no English subtitles!

《Why國人 (guórén)》@ Taipei Fringe 台北藝穗節


Tickets can be purchased at any 7-11, Family Mart or Hi-Life ticketing kiosk across the island 
各實體售票端點、7-11、萊爾富、全家購票皆可購票
OR ONLINE AT 或者在線上兩廳院網站 ArtsTicket



Look here for a note from our creative team in the next couple days!
這幾天我們創作團隊會在此發表排練及演出的概念及進度!

Sunday, May 8, 2011

Venue & Ticket Info/演出場地及售票方式資料

Click on the image to enlarge/點一下就可以放大此圖

Tickets are on sale now, available in Taichung at Early Bird Diner and Match Cafe!! 
For more ticketing information, call Josh (英), Katie (英/中), or 齊威傑 (英/中). 
Addresses & phone numbers are in the image.

票已經上市了囉!您可以直接到台中市的Early Bird Diner或Match Cafe買票。
若有票務問題,您可以打給Josh、卜凱蒂或齊威傑 。
上方圖片有售票場地地址及我們的電話。

OR EMAIL YOUR TICKET NEEDS TO: solotaiwan@gmail.com 

Thursday, May 5, 2011

3 Countries - 2 Solos - 1 Show

The blurb from our May 2011 Open Theatre Show
我們2011年五月份的演出簡介
Who hasn't been there: facing the challenges and pleasures of communicating with someone so seemingly different from yourself? On May 7 and 8, two solo shows created by "local" actors will join forces to create a unique theatre experience about the journey of being abroad. In a combination of English and Chinese, these two MIT (Made in Taiwan) stories and characters will truly "Touch Your Heart."

誰不曾遇過要面對與看似和自己不同的人溝通而產生的挑戰及樂趣?五月七日、八日兩齣有兩位「當地」外國人聯手打造獨特有關旅居國外的戲劇經驗。結合中、英文的MIT(台灣製造)過市及角色的卻可以Touch Your Heart!

Monday, April 18, 2011

Reading Books and Playing Games

Happy April 18, everyone!

Josh and I did a short drama workshop/dialogue session with some graduating English majors at Providence University (靜宜大學) today.  It was so much fun!  I haven't taught university students for a few years now (I've been too busy being one!), so it was really nice to be a teacher again, if only for 30 minutes.

We talked about what it's like to be a foreigner and how frustrating culture shock can be sometimes.  我也分享我最近發生了一件"外國人在台灣"小事情,就是兩個禮拜前我跟一個不會中文的美國白人同事和兩個台灣人同事一起去某一家台北小餐廳吃午餐。我們開始吃飯的時候,我突然很口渴想喝熱茶,所以我站起來走過去廚房附近看看有沒有飲料。我正在找茶的時候餐廳的一個大概四十、五十幾歲阿姨注意到我在找東西用很大很慢很誇張(其實感覺她很害怕)的方式問我:「您需要什麼嗎?」,我(用中文)回答:「我在找熱茶,你們這裡有熱茶嗎?」(我可以保證我的發音滿標準)。她呆呆的看著我一下然後就轉頭對她的同事說:「我聽不懂她的英文ㄟ!」。她的同事擺出一個感覺很疑惑的表情回答她:「聽不懂什麼?她講中文!熱茶,她要的是熱茶!」。呆呆阿姨轉頭回來,對著我說:「我們沒有熱茶。」

我相信,我們每個人都犯過這種錯誤,看到一個人的外表就馬上假設他是怎麼樣的人。英文可以說是:Judge a book by its cover。But really, the complete phrase is, "You can't judge a book by its cover."  I think sometimes you can, actually.  But not all of the time.  Not even most of the time.  總之,我個人是覺得我們大家應該盡量多開放一點,嘗試不同的事物多一點,否則到最後,我們可能會什麼都(聽)不懂。

The students today asked some good questions about theatre, and how to talk to the audience.  I've always thought it was interesting that in Taiwan senior English majors have to do a graduation theatre performance.  It's a great idea, because doing theatre helps you learn how to use your whole body to communicate with people, and communicating with people is what language learning is all about.  I hope I get to see their show next month!

See what wonderful things can happen 
when you use your whole body to communicate?
(from Katie's graduate performance of 天生冤家 last year)

Finally, I promised the students that I'd post the lyrics to the drama game/ESL game we did today.  Here they are:

Standing Up Straight

Standing up straight!                                            Knees bent!
Feet together!                                                      Butt out!
Arms out!                                                            Head back!
Wrists together!                                                   Eyes shut!
Thumbs up!                                                         Tongue out!
Elbows bent!

**The words for the dancing part are gibberish (they have no English meaning).  But here's what they sound like (you say this part twice each time):

A-roo-sta-sha
A-roo-sta-sha
A-roo-sta-sha-sha
Huh!

Best. Drama.Warm-up. Game. Ever.

Friday, April 15, 2011

Katie's Bio

Katie Partlow is a stage actress from Washington State in the U.S. who has lived in Taiwan since 2001.  A graduate of Washington State University's theatre program, she has worked on and off the U.S. stage with groups such as Seattle Public Theatre and through her own company, Ta Dah!, as an actor and educator.  Since coming to Taiwan, Katie has run theatre education programs for universities and private schools in Taichung and Changhua, and has appeared on stage in Taichung many times with Taichung Improv.  She was also an actor and co-director in Taichung's 我們Women.  Katie currently lives in Taipei and is studying her MFA in theatre performance at Taipei National University of the Arts.  This solo show was written by Katie as part of her MFA curriculum.


卜凱蒂主在台灣已達十年之久。她來自美國華盛頓州,是一位舞台演員。畢業於華盛頓州立大學的戲劇系,之後成立了自己的公司名為"Ta Dah!",身兼演員和教育者的她斷斷續續和美國西雅圖公立劇院合作。來到台灣後,凱蒂和台中、彰化的大學及私人學校合作,實踐劇場教育計劃;其間並和Taichung Improv(台中即興劇團)一起於台中有多次表演。台中演出的"我們Women"中她是一個演員並參與導演工作。凱蒂目前住在台北,就讀於國立台北藝術大學劇場藝術研究所。本次演出作品有凱蒂所編寫,也是她碩士課程的一部分。


Scene from Why國人(guó rén)


Tuesday, April 12, 2011

FROM KATIE: Multilingual Selves, or the Kaleidescope of Personality

So as I was translating for a completely unrelated project this evening (I've been translating summaries of the plays of some of the founders of contemporary Taiwanese theatre for a school website), I came across an amazingly apropos CUNY blog, Revisions: Embracing the Multilingual Experience, and this blogpost,  Multilingual Selves.  After spending numerous hours on this translating project, the language-processing functions of my brain have begun to deteriorate.  I question what voice I am writing in with each language.  And then, all of a sudden, this Taiwanese woman with better English writing skills than me is seemingly sending me this message that I'm not alone!  Amazing:

然而萬花筒再如何千變萬化,裡面包含的畢竟還是同樣的面鏡和色片。用不同語言來表達,其實都是了解自己的不同途徑。目前的掙扎或許只是尚未掌控好旋轉萬花筒的頻率與角度,待技巧嫻熟之後,但願我能夠在使用不同語言的自我之中轉換自如,甚至樂在其中。
No matter how many patterns a kaleidoscope can make, it’s composed of the same mini-mirrors and colored beads. Using different languages to express myself can be seen as different approaches to understanding different parts of me. Maybe I just haven’t mastered playing with the kaleidoscope of my life yet. Hopefully, one day, I will be able to switch between my different selves more comfortably, and enjoy the various patterns I create.

Okay, so she's not talking about translating per-say.  But what she is talking about is how language affects identity and self-recognition.  It made me think of this story from my own bi-lingual experience.  A few years ago, while I was still living in Changhua and hadn't started grad school yet, I was having a conversation with a guy, lets call him Blaine, from the U.S. who lived in Taipei.  I'd been in Taiwan for probably 6 or 7 years at the time, and he had been here about the same amount of time.  His mom is an immigrant to the US from Korea, and his dad is a white guy born and raised in the U.S.  Blaine had been to Korea a few times to visit relatives, but his mom had never spoken Korean at home and he had no Korean language ability.

Anyway, while Blaine and I had both lived in Taiwan a similar length of time, and while we both worked in companies with Taiwanese partners, and while we were both from the west coast of the US, there was one glaring difference between us: I speak Chinese and he didn't (perhaps he does now...I can't say as I haven't seen him since.).  Normally, that difference wouldn't have much affect on our conversation, but that day we started talking about learning and speaking Chinese in Taiwan.  We'd both studied Chinese when we first arrived on the island, but he got busy with work and quit his studies.  I got busy with living with a Taiwanese family in a small town and continued my studies (secret to language learning: environment, environment, environment).

We were talking about the trials and tribulations of the Chinese language when I mentioned, almost as an aside, that I have a different personality in Chinese than I do in English.  He was taken aback by that, and wondered why I would have two different personalities.  I'm the same person, aren't I?  I told him that it would be difficult for me to function fluidly if I kept the same styles of communication, humor or body language across both languages.  After pausing and reflecting for a moment, I continued, "I don't do it on purpose, it just happens naturally".  He honestly seemed to be offended by what I had just told him.  He told me that I SHOULD have the same personality because it's disingenuous if I change what I talk about and how I say it to try to "fit the culture".  Basically, he was telling me that if I don't have the same mannerisms and attitudes in Chinese that I do in English, then I'm being fake.

Hmm.  Well, after listening to what he had to say (and I didn't give him any of that famous Katie Partlow attitude, if you're wondering), I came up with an example to describe my situation.  I said that I have a car in Taiwan.  I also have a car in the U.S. (well, I suppose now it should be considered my dad's...he's been driving it longer than I ever have!).  The way I drive my car in Taiwan is WAY different than how I would drive in the U.S.  If I drove in the U.S. like I drive in Taiwan, some other driver on the road would probably get road-rage and kill me.  But if I drove in Taiwan like I drive in the U.S., some other driver would probably run me over as they were trying to maneuver around my slow butt.  There's a strong likelihood that I would be seriously injured or even die in either situation.  I adapt my driving personality to fit the driving culture I'm in so that things go more smoothly and so that I'm not in danger.  My communication personality is the same.  It changes based on the communication and linguistic culture of the person I'm talking to, and the changes are most pronounced when I'm changing to and from Chinese and English.  It changes for survival, just like with driving, but it also changes for ease and comfort.

I asked Blaine what he thought.  He said he doesn't drive.

But seriously, I can see what the author of that blog post is saying about the kaleidescope of personality.  I too struggle with the switches.  Every time I go back, it takes me at least a week of being in the U.S.
before people really start to laugh at my jokes.  It's not that my jokes aren't funny that first week; my Taiwanese friends would probably be laughing hysterically if they heard the joke.  It's that the kaleidescope setting for my humor hasn't switched over to U.S./native English yet.  I can sympathize with her - I wish I could switch back and forth with much greater ease as well.  I can sometimes get kind of awkward in social situations in both countries because I'm struggling with switching the kaleidescope to the right setting, and I really admire my bilingual friends that can move smoothly and seamlessly between both worlds.

One other note: this kaleidescope isn't exclusive to people who speak multiple languages, though.  I mean, the way I'd talk to a classmate versus how I'd talk to a teacher varies slightly (though that variation is much greater in Chinese than in English), even if both relationships were based on the same language.  In the end, I guess, the kaleidescope switches derive from differences in culture and social status.

And with such large social and cultural differences between Taiwan/Mandarin and U.S./English, it's no wonder I've got to change my driving styles.

Wednesday, April 6, 2011

FROM KATIE: Chimamanda Adichie: The danger of a single story/單一故事的危險性 | Video on TED.com

Chimamanda Adichie: The danger of a single story | Video on TED.com



This is a video I found online early on that helped me create some of the ideas for my show. In particular, my idea for the multi-colored ribbons was inspired by Ms. Adichie's story when she talked about the "single story". I saw each story as a line in our personal narratives, and wanted to show visually that we are all made up of many stories, many lines, that, when put together, carry us through. My favorite section of her talk:

All of these stories make me who I am.  But to insist on only these negative stories is to flatten my experience, and to overlook the many other stories that formed me.  The single story creates stereotypes.  And the problem with stereotypes is not that they are untrue, but that they are incomplete.  The make one story become the only story.
That's one of the main reasons that I wanted to make this play, really. For a foreigner, no matter if it is a Taiwanese in India, a Brazilian in Nigeria, or an American in Taiwan, so often the "local" populace will have very strong and clear ideas about who that foreigner is based on their nationality, language, or even something as basic as skin color. This is true for locals as well, but it is even stronger for foreigners. The stereotypes, as Adichie says, may be true; I certainly do love to eat hamburgers! But they don't tell the whole story of a person's identity. They make the individual become unrecognizable; the individual becomes a personality type instead of being a person. It was this idea, the idea of the roots and origins of identity, that I wanted to discuss with both "locals" and "foreigners" in Taiwan.

**這影片有中文字幕!!如果想看中文解釋及中文字幕,可以到「單一故事的危險性」的中文版--對不起,不知道怎麼直接po上我們的部落格!
我2008年3月開始申請北藝大時就已經開始想如何創造這齣戲。2008年8月開學之後,慢慢發現一齣關於「外國人」戲的可能性。2009年當我開始收集一些與我題目有關鍵的資料時就發現這影片。那時候因為覺得很有趣所以常常在看TED影片,剛好Adichie的影片突然出現。吸引我看的是因為她說她自己是個storyteller。Storyteller這個詞在我生活中是一件很有影響力的事情。我爸爸的工作是報紙記者,所以他就是我認識第一個storyteller。我跟我爸爸感情非常要好,因此自然而然也變成一個storyteller。對我而言,說故事是一個學習機會,但這個機會不只是聽眾用有的,也是說故事的人的學習機會。當然,聽故事的人可以從故事內容了解別人的想法或做法,也可以更了解說故事的人的個性。但經過那麼多年的講故事經驗,我發現我都一直在學到新的事情,那些事情也會關於我講故事的對象也會關於我自己的行為及想法。
總之,我第一次看完了這影片之後就有一種「對!對!她描述當局外人,當個少數民族,當個外國人的狀況是在太好了!」的感覺,特別是她講到stereotype(刻板印象)的時候。我只前都會決的刻板印象是個部隊的概念,但其實Adichie就說「刻板印象所造成的問題不在於它們的不對,而在於它們不完成。刻板印象讓一個人的背景的其中一方面代表那個人的一切。」因為大社會可能對這些局外人的了解度不是很高,所以我們太常見到大社會用簡單的刻板印象(one story)去了解這些人而可惜沒有機會(或者沒有興趣?)去聽這些局外人的其他「故事」。我在這齣戲當中想表達的是,出了我「外國人」或「美國人」或「英文是母語的人」或「白人」的身分之外還有什麼其他的身分?還有什麼其他的story?